Each year, Arab TV stations compete to buy and broadcast dramatic productions from Egypt, Syria and Gulf counties. Yet, there is no demand for Iraqi drama, which is limited to local TV channels.
It is a bitter reality for the Iraqi TV and film industry, over which concerned parties are in constant disagreement.
The dilemma is complex enough to make it hard to determine the exact problem. The industry’s players blame each other for its deterioration and loss of identity, and the issue has been widely discussed in the media.
Some actors blame the producers and writers, while the writers hold the producers responsible and others blame the film directors. As for the directors, they distance themselves from this responsibility, and believe that the rest of the key parties in the TV and film industry should be held responsible for its deterioration.
During a seminar on the condition of Iraqi drama held in Damascus March 20, 2010, film director Hassan Hosni identified six reasons for the deterioration of Iraqi TV and film production that did not include directing.
Although everyone agrees that poor production is a major problem, the Al-Iraqiya TV channel, the biggest producer of Iraqi drama, seems indifferent to what is being said. In fact, it celebrates what has been achieved so far.
A number of major artists have found themselves forced to withdraw from the scene in protest, to boycott the current industry. Others preferred to emigrate and some prominent screenwriters, such as Farooq Mohammed, Hamed al-Maliki and Ahmed Hatef, stopped writing. Maliki told Al-Monitor that he has been living off his personal savings since he made this decision.
These figures’ withdrawal from the scene is not contributing to resolving the problem, but may instead exacerbate it by leaving only beginners and inexperienced people.